By Herbert Edward Read
This ebook, first released in 1947, is choice of serious essays via Herbert learn that had now not been formerly released in e-book shape. The essays conceal a number of various topic parts, together with literature, paintings, structure, and movie, from a span of 20 years. This name should be of curiosity to a number of readers.
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Additional info for A Coat of Many Colours: Occasional Essays
T h e only way out of this difficulty is to say that the visual qualities of art are absolute, t h a t is to say, that they depend on the possession of beauty, which is not a question of individual judgement, but the effect of certain natural laws—that the question whether a thing is beautiful or not (and it does not matter whether it is a flower, a face, a painting or a building) is determined by its possession of certain harmonious proportions, which are present in nature, a n d which are imitated in works of art.
T o him I brought a dish of fruit one day . . It is " delicious " , as Coleridge said of one of these poems. And yet sometimes very subtle, as in the poem Coleridge had in mind, " T h e Flower " : H o w fresh, O Lord, how sweet a n d clean Are thy returns ! ev'n as the flowers in spring ; T o which, besides their own demean, T h e lãte-pãst frosts tributes of pleasure bring. Grief melts away Like snow in M a y , As if there were no such cold thing. N o other poet until Hopkins came would have ventured to place four successive stresses in a line, thereby achieving such a pleasing and unexpected variety of r h y t h m .
His sensibility ! There you have the keyword, however we define it, in Klee's case or in the case of any great 17 A Goat of Many Colours artist. The sensibility—perhaps sensitivity is a more precise word—of Klee was infallible, and from the beginning expressed in that most sensitive of plastic media, the line (here again, Blake comes into comparison). His earliest drawings and engravings were influenced by Aubrey Beardsley's work—he comes directly out of that tradition of precise fantasy. But he could never have remained in a world of artifice and literary inspiration.
A Coat of Many Colours: Occasional Essays by Herbert Edward Read