By Patrick McGilligan
In a profession that spanned six many years and greater than sixty motion pictures, Alfred Hitchcock turned the main widely known director who ever lived. His movies -- together with The 39 Steps, infamous, Rear Window, Vertigo, Psycho, and The Birds -- set new criteria for cinematic invention and storytelling Élan. given that his loss of life, Hitchcock has develop into crystallized within the public mind's eye because the macabre Englishman, the sexual obsessive, the grasp of Suspense. yet this extraordinary biography attracts on prodigious new examine to revive Hitchcock the fellow -- the inventive craftsman, the avid collaborator, the consistent trickster, provocateur, and romantic. Like Hitchcock's most sensible movies, Patrick McGilligan's lifetime of Hitchcock is a drama choked with revelation, graced by way of a imperative love tale, darkish humor, and cliff-hanging suspense: a definitive portrait of the main inventive, and least understood, determine in movie heritage.
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Extra resources for Alfred Hitchcock: A Life in Darkness and Light
Merle and a buddy hopped “a freight train leaving town” after school one day, not knowing where they’d end up. But the trains must have been calling out to Haggard for a while before he found the guts to make his break. The Santa Fe reefer that Jim and Flossie had repurposed into a house sat just yards off the Oildale tracks: The last of the steam locomotives, and the newfangled diesel and electric engines that were rapidly replacing them, clanged by daily, like a siren’s call. He clambered aboard.
Haggard’s parents, by contrast, seem to have had a bit of the jackrabbit in them. They spent the Twenties springing about the country, settling here and moving there. Up in Chicago, Jim got on at a steel mill in 1925, then relocated his family several times—first to Indiana, then to Pennsylvania, then Ohio—all while remaining employed by the same outfit. What’s more, when Merle’s parents and siblings came to California in 1935, they were actually making a return trip. They’d lived in California a few months in 1929, moving there for Flossie’s health (her doctor recommended a warmer climate) and in search of a better way of life.
That’s typical—Haggard songs tend to be stingy with story, preferring instead the meditative expression of one sort or other of anxious emotion. The recording Merle and his Strangers made of “Hungry Eyes”—cut late in 1968, topping the country charts early the next year—is a musical adjunct to, and the artistic equal of, “Migrant Mother,” the photograph that Dorothea Lange took of Florence Thompson in 1936. The women in both works, Lange’s “Migrant Mother” and Haggard’s “Mama,” document an internal war between pride and inferiority, dignity and shame.
Alfred Hitchcock: A Life in Darkness and Light by Patrick McGilligan